“The Floral Cabinet and Magazine of Exotic Botany, Volume 2,” published in 1838, is a continuation of the work by G.B. Knowles and Frederic Westcott, dedicated to the exploration and illustration of exotic plant species. This volume serves as both a scientific resource and an artistic collection, reflecting the 19th-century fascination with botanical discoveries and the aesthetic appreciation of plant life.

The volume features 137 hand-coloured lithographed plates, showcasing the intricate beauty of various exotic plants. These illustrations, contributed by artists such as Francis Cameron, Mrs. Withers, and A. Green, highlight the meticulous attention to detail characteristic of botanical art from this period. The plates not only serve as visual documentation but also as educational tools, providing readers with accurate representations of plant morphology.

In addition to the visual content, the volume offers comprehensive descriptions and cultivation notes for each featured species. For example, the authors discuss various species of the genus Cheiranthus, noting that while some have vividly coloured flowers and are highly scented during the day, others with less vibrant petals exhibit exquisite fragrance at night. This observation underscores the intricate relationship between a plant’s visual characteristics and its olfactory properties.

The volume also delves into the physiological aspects of plants, exploring topics such as the scent or aroma of flowers. It highlights the curious phenomenon where many dull-coloured flowers are most odorous during the night, suggesting a natural compensation for their lack of visual appeal. This insight reflects the authors’ keen interest in understanding the adaptive mechanisms of plants and their interactions with the environment.

“The Floral Cabinet and Magazine of Exotic Botany, Volume 2,” stands as a testament to the rich intersection of science and art in the 19th century. It not only documents the botanical knowledge of the time but also captures the aesthetic values and cultural significance attributed to plant life. The volume remains a valuable resource for botanists, horticulturists, and art historians, offering insights into historical plant studies and the evolution of botanical illustration.