Rebecca Hey’s The Moral of Flowers, first published in 1833, is a unique blend of botanical study and poetic reflection. Each entry in this work focuses on a specific English flower, combining scientific descriptions with moral or religious lessons drawn from the plant’s characteristics. Hey’s intent was to “draw such a moral from each flower that is introduced as its appearance, habits, or properties might be supposed to suggest” . The book features color engravings by William Clark, enhancing the reader’s appreciation of the flowers discussed.

The structure of the book is methodical, with each flower accompanied by a detailed botanical description and a poem that reflects on its symbolism. This approach not only educates readers about the flora of England but also invites them to contemplate the deeper meanings associated with each plant. The moral lessons are often rooted in Christian values, reflecting the religious sentiments prevalent during the Victorian era.

Hey’s work was well-received in its time, leading to multiple editions and reprints. Its combination of art, science, and spirituality appealed to a broad audience, from naturalists to those interested in the moral teachings of the period. The book’s enduring appeal lies in its ability to connect the natural world with human experience, offering readers both knowledge and introspection.

The Moral of Flowers stands as a testament to the Victorian fascination with nature, morality, and the interconnections between them. Through her poetic and botanical expertise, Rebecca Hey created a work that continues to resonate with those interested in the symbolic meanings of plants and the lessons they impart.