“Flora Graeca sive Plantarum Rariorum Historia,” commonly known as “Flora Graeca,” is a monumental botanical work that meticulously documents the diverse plant species of Greece and its neighboring regions. This extensive compilation, published between 1806 and 1840, spans ten volumes and contains 966 hand-colored plates, making it one of the most comprehensive botanical records of its time.

The project was initiated by John Sibthorp, a professor of botany at the University of Oxford, who embarked on expeditions to Greece and Asia Minor in the late 18th century to study and collect plant specimens. He was accompanied by the renowned botanical illustrator Ferdinand Bauer, whose detailed illustrations significantly contributed to the work’s acclaim.

Volume 10 of “Flora Graeca,” published in 1840, serves as the culmination of this extensive botanical survey. This volume continues the systematic presentation of plant species, providing detailed descriptions and illustrations that highlight the rich biodiversity of the region. Each entry typically includes the plant’s scientific name, morphological characteristics, habitat information, and references to its occurrence in classical literature, reflecting the authors’ dedication to integrating contemporary botanical knowledge with historical context. The meticulous illustrations by Bauer offer visual representations that complement the descriptive text, aiding in the accurate identification and appreciation of each species.

The significance of Volume 10, and indeed the entire “Flora Graeca,” extends beyond its scientific contributions. The work stands as a testament to the challenges and dedication involved in botanical exploration during the 18th and 19th centuries. Sibthorp’s expeditions were fraught with difficulties, including the hardships of travel in remote regions and the threat of diseases, which ultimately claimed his life before the project’s completion. Despite these challenges, the publication of “Flora Graeca” was realized posthumously, thanks to the efforts of collaborators like James Edward Smith and the financial provisions made by Sibthorp, who bequeathed his estate to ensure the work’s completion.