Curtis’s Botanical Magazine, established in 1787 by William Curtis, is renowned as the world’s longest-running periodical featuring detailed botanical illustrations. Volume 118, published in 1892, continues this legacy by presenting a collection of meticulously illustrated plant species, accompanied by comprehensive descriptions that blend botanical accuracy with horticultural insights. This volume offers readers a window into the rich diversity of plant life and serves as a valuable resource for botanists, horticulturists, and plant enthusiasts alike.

One of the standout features of Volume 118 is the inclusion of plants from diverse geographical regions, reflecting the global scope of botanical exploration during that era. For instance, the volume showcases Feijoa sellowiana, commonly known as pineapple guava or feijoa, native to South America. The detailed illustration by Matilda Smith in 1898 captures the plant’s distinctive characteristics, providing readers with both aesthetic appreciation and scientific understanding. Such illustrations not only highlight the plant’s beauty but also offer insights into its morphology, aiding in accurate identification and classification.

The meticulous hand-colored lithographs in this volume exemplify the high standards of botanical art during the late 19th century. Artists like Matilda Smith played a pivotal role in maintaining the magazine’s reputation for excellence. Smith, who contributed over 2,300 plates between 1878 and 1923, became the first official botanic artist at Kew and was later honored as an associate of the Linnean Society. Her dedication ensured that each illustration was both scientifically accurate and artistically compelling, bridging the gap between art and science.

Volume 118 also reflects the evolving nature of botanical studies during the period, emphasizing not just the identification and classification of plants but also their ecological and economic significance. The detailed descriptions provide insights into each plant’s native habitat, cultivation requirements, and potential uses, offering a holistic understanding that extends beyond mere aesthetics. This approach underscores the magazine’s commitment to advancing botanical knowledge and promoting the appreciation of plant diversity.