Curtis’s Botanical Magazine, established in 1787 by William Curtis, is the world’s longest-running botanical periodical, renowned for its detailed plant illustrations and comprehensive descriptions.

Volume 110, published in 1884 under the editorship of Sir Joseph Dalton Hooker, continues this legacy by showcasing a diverse array of plant species, many of which were cultivated at the Royal Botanic Gardens, Kew.

This volume reflects the Victorian era’s fervent interest in botany and horticulture, a time when plant exploration and classification were at their zenith. The meticulous illustrations, primarily rendered by Matilda Smith, provide readers with an intimate view of each plant’s morphology, capturing both aesthetic beauty and scientific accuracy. Smith’s contributions were pivotal, as she produced over 2,300 plates for the magazine between 1878 and 1923, earning recognition as Kew’s first official botanical artist.

Each plate in Volume 110 is accompanied by detailed descriptions that delve into the plant’s taxonomy, native habitat, and cultivation requirements. This combination of visual and textual information serves as both a scientific record and a practical guide for horticulturists and botanists. The volume not only documents exotic species introduced to British gardens but also emphasizes the importance of plant conservation and the role of botanical gardens in preserving biodiversity.

In essence, Volume 110 of Curtis’s Botanical Magazine stands as a testament to the collaborative efforts of artists and scientists in the 19th century. It offers invaluable insights into plant diversity and serves as a historical record of botanical knowledge during that period. The enduring significance of such works lies in their ability to inspire continued appreciation and study of the plant kingdom, bridging the gap between art and science.